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I believe there is no need to tell you more about Chick Corea, the fastest jazz pianist known to me. I wonder how his mind think of the notes — 100 notes per second??? I really have no idea! It is simply too fast! Let’s hear something about Hiromi Uehara.
Corea in 2010 Background information Birth name Armando Anthony Corea Born ( 1941-06-12) June 12, 1941 (age 76), Massachusetts, U.S. Genres, Occupation(s) Musician, composer, bandleader Instruments Piano, keyboards, drums Years active 1962–present Labels, Associated acts, Website Armando Anthony ' Chick' Corea (born June 12, 1941) is an American and pianist, keyboardist, and composer. His compositions ', ', ' and ', are considered. As a member of 's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band. With, and, he has been described as one of the major jazz piano voices to emerge in the post- era.
Corea continued to pursue other collaborations and to explore musical styles throughout the 1980s and 1990s. He is also known for promoting and fundraising for a number of social issues. Contents. Life and career Youth Armando Corea was born in, Massachusetts. He is of southern Italian and Spanish descent. His father, a jazz trumpeter who led a band in Boston in the 1930s and 1940s, introduced him to the piano at the age of four. Surrounded by jazz, he was influenced at an early age by and, and.
At eight he took up drums, which would influence his use of the piano as a percussion instrument. Corea developed his piano skills by exploring music on his own.
A notable influence was concert pianist Salvatore Sullo, from whom Corea started taking lessons at age eight and who introduced him to classical music, helping spark his interest in musical composition. He also spent several years as a performer and soloist for the St. Rose Scarlet Lancers, a based in Chelsea.
Given a black tuxedo by his father, he started playing gigs when in high school. He enjoyed listening to 's band at the time and had a trio that played Horace Silver's music at a local jazz club. He moved to New York City, where he studied musical education for one month at and six months. He quit after finding both disappointing, but he liked New York City and made it the starting point for his career. Early career Corea began his career in the early 1960s with, and. He released his debut album, in 1966.
Two years later he released a trio album, with and. From 1968 to 1971 Corea had associations with avant-garde players, and his solo style revealed a dissonant orientation. In 1970 he played electric piano on, Larry Coryell's third album as a leader. The album was released on the Vanguard label with on guitar, Miroslav Vitous on bass, and on drums.
The album was produced by Daniel Weiss and engineered by David Baker with assistance of Paul Berkowitz. Spaces is sometimes considered to have started the jazz fusion genre.
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His avant-garde playing can be heard on his solo works of the period, his solos in live recordings under the leadership of, his recordings with, and his playing on 's Song of the Wind album on. In September 1968 Corea replaced in Davis's band and appeared on, and. In concert, Davis's of Corea, and combined elements of improvisation and rock music.
Corea experimented with using electric instruments, mainly the electric piano, in the Davis band. In live performance he frequently processed the output of his electric piano with a device called a.
Using this style, he appeared on multiple Davis albums, including and. His live performances with the Davis band continued into 1970, with a touring band of, tenor sax, additional electric piano and organ, Jack DeJohnette, drums, bass, percussion, and Davis on trumpet. Holland and Corea left to form their own group, active in 1970 and 1971. This free jazz group featured multi-reed player and drummer. This band was recorded on and. Aside from soloing in an atonal style, Corea sometimes reached into the body of the piano and plucked the strings.
In 1971 or 1972 Corea struck out on his own. In April 1971 he recorded the sessions that became and for ECM. The concept of communication with an audience became a big thing for me at the time. The reason I was using that concept so much at that point in my life – in 1968, 1969 or so – was because it was a discovery for me.
I grew up kind of only thinking how much fun it was to tinkle on the piano and not noticing that what I did had an effect on others. I did not even think about a relationship to an audience, really, until way later. Jazz fusion In the early 1970s, Corea took a profound stylistic turn from avant-garde to a crossover jazz fusion style that incorporated Latin jazz with. Named after their eponymous 1972 album, the band relied on both acoustic and electronic instrumentation and drew upon Latin American styles more than on rock music. On their first two records, Return to Forever consisted of on vocals, Joe Farrell on flute and soprano saxophone, on drums, and on double bases. Drummer and guitarist later joined Corea and Clarke to form the second version of the group, which expanded the earlier elements with a more rock and funk-oriented sound inspired by the, led by his bandmate John McLaughlin. This incarnation of the group recorded the album, before Connors' departure and replacement by, who was present on the subsequent releases, and.
Corea's composition ' appeared on the 1972 Return to Forever album. This is probably his most popular piece, and it has been recorded by a variety of artists. There are also a variety of recordings by Corea himself.
These included an arrangement for piano and symphony orchestra that appeared in 1999 and a collabration with vocalist on the 1992 album. Corea usually performs 'Spain' with a prelude based on 's (1940), which earlier received a jazz orchestration on Davis and '. In 1976, he issued, influenced by Latin American music and featuring vocalist (Corea's wife) and electric violinist.
The album combined jazz and, supported by backup and a horn section. Duet projects.
And Chick Corea, in 2008 In the 1970s Corea started working with vibraphonist, with whom he recorded several duet albums for ECM, including 1972's. They reunited in 2006 for a concert tour. A new record called was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the. Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos.
The two traded playing each other's compositions, as well as pieces by other composers such as. In 1982, Corea performed The Meeting, a live duet with the classical pianist. Corea performs with, March 1, 2008 In December 2007 Corea recorded a duet album, The Enchantment, with banjoist. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the for the track 'Spectacle'.
In 2008 Corea collaborated with Japanese pianist on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's on April 30.
In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the in, and featured improvised music along with iconic songs from each of the duo and standards from other composers. Later work Corea's other bands include the, its traditional jazz trio reduction called Akoustic Band, Origin, and its traditional jazz trio reduction called the New Trio. Corea signed a record deal with in 1986 which led to the release of ten albums between 1986 and 1994, seven with the Elektric Band, two with the Akoustic Band, and a solo album, Expressions. The Akoustic Band released a self-titled album in 1989 and a live follow-up, Alive in 1991, both featuring on bass and on drums. It marked a turn back toward traditional jazz in Corea's career, and the bulk of his subsequent recordings have been acoustic ones. The Akoustic Band also provided the music for the 1986 Pixar short with their song 'The Game Maker'.
On January 13, 2018, Corea reunited the Akoustic Band for two shows in a one-off appearance in St. Petersburg, Florida. In 1992 Corea started his own label,. In 2001 the Chick Corea New Trio, with and on bass and drums, respectively, released the album Past, Present & Futures. The 11-song album includes only one standard composition ('s '). The rest of the tunes are Corea originals. He participated in 1998's with Gary Burton on vibes, on guitar, Dave Holland on bass and Roy Haynes on drums.
During the latter part of his career Corea became more interested in Corea's rising interest in. He composed his first – and an adaptation of his signature piece, 'Spain', for a full symphony orchestra – and performed it in 1999 with the. Five years later he composed his first work not to feature any keyboards: his No. 1 was specifically written for the and performed by them at 2004's in Wisconsin.
Corea has continued releasing jazz fusion concept albums such as To the Stars (2004) and Ultimate Adventure (2006). The latter album won the. In 2008, the third version of Return to Forever (Corea, keyboards; Stanley Clarke, bass;, drums; Al Di Meola, guitar) reunited for a worldwide tour. The reunion received positive reviews from most jazz and mainstream publications. Most of the group's studio recordings were re-released on the compilation Return to Forever: The Anthology to coincide with the tour.
A concert DVD recorded during their performance at the was released in May 2009. He also worked on a with the vocal group.
Chick Corea's 75th birthday, Corea and, New York City, 10 December 2016 A new group, the, began a world tour in October 2008. Corea had worked with McLaughlin in Davis's late 1960s bands, including the group that recorded Davis's album Bitches Brew. Joining Corea and McLaughlin were saxophonist and bassist. Drummer played with the band in Europe and on select North American dates; played all dates in Asia and Australia, and most dates in North America. The variety of Corea's music was celebrated in a 2011 retrospective with Corea playing with the in the; a New York Times reviewer had high praise for the occasion: 'Mr. Corea was masterly with the other musicians, absorbing the rhythm and feeding the soloists.
It sounded like a band, and Mr. Corea had no need to dominate; his authority was clear without raising volume.' A new band for 2013, Chick Corea & The Vigil, featured Corea with bassist, on drums (carrying on from his grandfather, Roy Haynes), saxes, flute, and bass clarinet from, and guitarist Charles Altura. Corea celebrated his 75th birthday in 2016 by playing with more than 20 different groups during a six-week stand at the in Greenwich Village, New York City.
'I pretty well ignore the numbers that make up 'age'. It seems to be the best way to go. I have always just concentrated on having the most fun I can with the adventure of music.' Personal life Marriage. Corea's wife, Blue Note Jazz Club, New York City, December 2016 Corea has been married to the jazz musician since 1972.
Scientology Corea has stated that has helped deepen his relationships with others, and helped him find a renewed path. Under the 'special thanks' notes in all of his later albums, Corea mentions that, founder of Scientology, has been a continual source of inspiration. In 1968 Corea read, Hubbard's most well known self-help book, and in the early 1970s developed an interest in Hubbard's science fiction novels. 'I came into contact with L.
Ron Hubbard's material in 1968 with Dianetics and it kind of opened my mind up and it got me into seeing that my potential for communication was a lot greater than I thought it was.' The two exchanged letters until Hubbard's death in 1986, and Corea had three guest appearances on Hubbard's 1982 album Space Jazz: The Soundtrack of the Book Battlefield Earth, noting, 'Hubbard was a great composer and keyboard player as well.
He did many, many things. He was a true.' Corea said that Scientology became a profound influence on his musical direction in the early 1970s: 'I no longer wanted to satisfy myself.
I really want to connect with the world and make my music mean something to people.' Controversy in Germany In 1993, Corea was excluded from a concert during the 1993 World Championships in Athletics in Stuttgart, Germany. The concert's organizers excluded Corea after the state government of had announced it would review its subsidies for events featuring avowed members of Scientology. After Corea's complaint against this policy before the administrative court was unsuccessful in 1996, members of the U.S. Congress decried a violation of Corea's human rights in a letter to the German government. Corea is not banned from performing in Germany, however, and had several appearances at the government-supported International Jazz Festival in, where he was awarded a plaque in Burghausen's 'Street of Fame' in 2011. In 1998, Corea and fellow entertainers, and attended the 30th anniversary of, the Church of Scientology's investigative news journal, at the National Press Club in Washington, D.C., to honor eleven activists.
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Discography. This section of a does not any. Please help by adding. Contentious material about living people that is unsourced or poorly sourced must be removed immediately. Find sources: – (May 2015) Year Award Album/song (with ) 'Leprechaun's Dream', (with ) (with ), GRP Super Live in Concert (with ) Akoustic Band 'Rhumbata', Native Sense (with ) (with, and ) 'Spain for Sextet & Orchestra', Corea.Concerto 'Matrix', The Ultimate Adventure 'Three Ghouls', (with ) (with, ) ', from Forever (with, ) (with, ) 'Hot House', from Hot House (with ) 'Mozart Goes Dancing', from Hot House (with ) 'Fingerprints', from, (with, ) Year Award Album/song (with ) Forever (with and ) See also.
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